What’s up with the new Ghostbusters?

The New Ghostbusters crew
* not to be confused with The New Ghostbusters.

So there’s a shot of the new Ghostbusters* over on Polygon and there’s a lot of backlash that I’m going to classify under three categories:

  1. Don’t mess with my nostalgia!
  2. Stop being a social justice warrior by having them all be women!
  3. Why is there another fucking reboot?

I’m a self-proclaimed SJW, and I wear that badge proudly. I’m a firm believer in that things aren’t better because that’s the way they have been traditionally, and exposing the fallacy of that argument is important. Women are half (or slightly over half) of the world’s population, and they’re still often considered second rate to men. I like that Hollywood is doing its part in giving us female leads that aren’t just damsels in distress or love interests.

I like that Melissa McCarthy isn’t in movies to be made fun of. She’s there doing funny things, but it’s never cheap shots at her weight. I like that Fantastic Four — sorry, I mean Fant4stic — is bringing in an African-American to play Johnny Storm. Using a larger cross-section of America in your movies is a great thing, and I’m really excited that there’s a movie about transsexual hookers coming out today that doesn’t need to explain itself. It just drops you in on the action, shows us people with an interesting story and let us fill in the blanks as we see fit.

The Ghostbusters was a great story, and the brand has a history of diversity across different mediums. I mean, shit, how many shows can you name that featured a cast which had a person of color, a woman, and someone in a wheelchair?

Leading characters from Extreme Ghostbusters
I can name only one show… Extreme Ghostbusters.

I think that’s my major problem with all these reboots. We can’t just go back and remake movies every 20-30 years because technology is better and we can slap better special effects on them — just ask George Lucas — and we shouldn’t reboot franchises to cash grab because they’re known entities to retell the story because we think we have a better angle on it.

Total Recall and Robocop are perfect examples of what makes me weary of Ghostbusters. They were remade with better graphics, but they cut out all of the things that made the originals special. Let’s hold the hand of the audience and tell them what to think instead of leaving the ending open for interpretation. Let’s take all the dark sarcasm about voyeurism in society and instead turn it into a mockery of opinionated talk shows…

If you’re adamant about showing us a new vision of a story, why do you cling to so many of the design cues of the original? We don’t need a casting director to go out and find four people to fit the mold of the guys in the 80’s movie.

“Okay, here’s the ‘normal’ one, the tall black one, the chubby one, and the quirky science nerd. We’re ready to start principal filming!”

At least if these were kids of the original characters, it’d make some sense why they look the way they do. I can see how some people are saying that it feels like a “checkbox, politically correct reboot.” I also think that’s the easy way out, but I can see why they’d reach that conclusion.

I know I shouldn’t judge it before I see it, but I’m suffering from a major movie meltdown that’s been building up. I’m fucking burnt out on all the reboots, origin story movies, and the lowest common denominator action flicks. I want to see something new. I want stories that are interesting.

Ecto-1 from Ghostbusters (2016)
Why are the new Ghostbusters using a car that looks just like the original one if it wants to be its own movie?

Maybe Ghostbusters will be charming and pique my interest, but I doubt it. Nearly every re-envisioning I’ve seen of a movie I liked has let me down. I don’t need cheap ploys, like nods to the original, or better effects on the proton beams to draw me in.

I predominantly watch documentaries now, and yes there are junkers out there. At least they’re telling unique stories, not some rewritten movie that occupies the same exact space, mere decades later.